Flames on the side of my face.
Laura, also know as Tutu. 26 (shit). Illinois. Burlesque dancer, singer, passionately nerdy and just a bit of a hopeless romantic.
"Waste of good ammo. It’s my privilege to buy you a replacement box."
"All self-respecting whites have a moral responsibility to support our growing number of martyrs to the failed experiment called diversity."
"I thank all Police, you are the ‘Thin Blue Line’ protecting normal Americans from aggressive and entitled primitive savages. America is surely at the tipping point."
Just a few quotes (in case it’s hard to read) from that collection of donation messages for Darren Wilson.
Does anyone else want to say it’s not about race?
"At least one member of the CHICAGO POLICE supports you brother"
This is why, white people
Evolution Of A Queen
Women are CONSTANTLY being treated as nothing but props and eye candy in music videos. Did you guys forget Burred Lines? Or Talk Dirty to me?
If you can’t handle a guy getting the same treatment, then fucking leave.
This is Duolingo, a language-learning website/app that deserves some serious recognition. It offers over 10 languages for English speakers, as well as courses for non-English speakers around the world, and they’re in the process of adding more.
But wait, I don’t want to do any more schoolwork! Not to worry little one, Duolingo is actually more like a game. You can compete with friends, and earn “lingots” (which are basically Duolingo money) to buy power-ups, extra activities, and bonus skills - like Flirting.
I’m already taking a language, what do I need this for?
It’s not really a secret that most school language courses (in America, anyway) suck and only teach you to speak the language at about a third grader’s level. Which is why Duolingo is so freaking awesome.
Teachers can’t give every student individualized attention, but Duolingo can. If you’re not learning the way you want to or as much as you want to in the classroom, Duolingo is a really great resource. It’s easy, tailored to you, and really effective.
Duolingo tracks your progress and reminds you when you haven’t studied for a while or need a refresher on something. Already semi-fluent in a language? No problem, just take a shortcut to more advanced subjects or test out of the lesson.
The lessons start with the basics (he, she, hello, thank you, etc) and move up to harder stuff. Duolingo focuses on vocabulary first, so you can learn the language and then the grammar that goes with it - much simpler than the system most schools use. It also tracks the number of words you’ve learned and how well you know them.
And you don’t even have to write out the flashcards!
Duolingo is perfect for reviewing everything you forgot over the summer or giving you the extra help you need. And if you’re trying to learn a language on your own, it’s fantastic - you don’t have to create your own lessons. Whether you’re trying to learn your second, third, or fifth language, I seriously recommend Duolingo.
Okay, what else?
Duolingo also has discussion boards, where you can ask for help with a hard lesson, make new friends, watch for updates, and share your achievements.
Even better is the Immersion feature. It won’t send you to Spain or France, but it’s pretty awesome. Duolingo takes real articles from the internet, which users translate. You can translate articles from your native language into the language you’re learning or vice versa, which gives you more experience and makes the Internet more universal.
You can suggest new languages and track Duolingo’s progress in creating new courses. Bilinguals (older than 13) can help to create these courses. Duolingo has a long list of courses that can be contributed to, like Punjabi, Hebrew, and Vietnamese. Oh, and Dothraki, Klingon, Sindarin, and Esperanto.
And the best part? IT’S COMPLETELY FREE.
If you love languages or just want to pass French class this year, USE DUOLINGO. Download the app and practice a language while you wait for the bus instead of playing Angry Birds!
Coolest app I’ve ever downloaded.
I. love. the. Anaconda. video. but the writeups I’ve been seeing keep referring to Drake as a co-star, which I think misses a big part of the point.
The reason this video rules is because Drake is an extra. Drake is a prop. Drake is a bro in the comfy-casual clothes that he rolled up to the set in, who has no lines or purpose other than the be ground upon, and whose face is obscured by shadows most of the time.
This is not a continuation of the Drake/Nicki/Rih media narrative. This is a dank-as-fuck feminist power play. This is, “Drake is whatever to me.” And this is a man who, if he isn’t at the top of his game, is close to it. A huge celebrity. And here is Nicki looking fucking amazing, tormenting him into a boner, then swatting his hand away and walking out of frame.
Your anaconda don’t want none unless she got buns, hun? Maybe she doesn’t want your anaconda. Maybe she’ll do whatever the fuck she wants with her buns, and it doesn’t matter what you think or feel.
So when Miley Cyrus or Katy Perry bring black girls on stage, dance with them, acknowledge their figures- it’s offensive and appropriating. But, when Nicki Minaj makes an entire video focusing around black girl’s asses and asserts her power, reduces these women to objects and flaunts her authority it’s YAAASSSSS NICKI SERVE IT. Is that because she’s black? So it’s okay for people of the same race to dance with each other but someone who does not share the same levels of melanin enters the picture, they’re doing something wrong? …idgi
You’re completely ignoring context. In Lily Allen’s Hard out Here video, she literally says, “I don’t shake my ass cause I have a brain” as Black women shake their asses in her video. She is literally degrading the Black women who shake their asses in the media. The song also uses references to Black rappers (i.e. the title of the song referencing the rap song “Hard out Here for a Pimp” and her lyric “bragging ‘bout my cars or talking ‘bout my chains”), suggesting that Black rappers are more sexist than white male musicians (which isn’t true, there’s lots of sexism in all music genres) and also suggest the source of sexism in the music industry is Black people (Black male rappers and twerking Black female dancers).
In contrast, Nicki Minaj is reclaiming a song (Baby Got Back) that was made by a Black male rapper who celebrated (but also objectified) Black female bodies. Throughout her song, Nicki raps like a man would, talking about her sexual conquests with men and the size of their dicks, almost as a way of doing to men what they have done to women (objectifying their dicks as Sir Mix A Lot objectified Black women’s asses and many other men objectify women’s vaginas). She also brags about her sexual prowess and stays in control and aggressive in the video (she goes as far as cutting a banana representing a dick and slapping Drake’s hand away—the video critiques the male gaze). The target of mockery and disparagement in Nicki’s video is men and the male gaze, and the video works to reclaim agency from it.
In what way is Nicki asserting power over her dancers? In her video, she twerks along side her back up dancers and dances with them and interacts with them on the same level. She is just as scantily clad as they are. Lily Allen, however, stays fully covered in her video, does not dance provocatively, and thus contrasts her own pure and respectable femininity with the Black women, using their twerking and scantily clad bodies as an example of “bad” female sexuality and femininity—of women “objectifying themselves.” This is racist because it frames Black female sexuality as lesser than white femininity and antithetical to feminism.
In summary: Nicki’s video is very much a celebration of female Black beauty and sexuality coming from a Black woman. Conversely, Lilly Allen’s is using Black women as props to frame them as a vile or bad form of sexuality or being too sexual to prop up her own feminism.
So you might say, “what about Miley Cyrus? she twerks along side her Black background dancers too!” But here’s the problem: Miley Cyrus continually appropriates Black culture and also uses Black women as props. It does matter that these artists are white because in these cases the point of including the Black women is either to, in Lily Allen’s case, offset Black sexuality/femininity as too sexual or bad in comparison with her white femininity/feminism, or, in the case of Miley Cyrus, to get “street cred” and exotify her own sexuality by appropriating Black culture and using Black people as props to do so. See this analysis of Lily Allen’s Hard Out Here video and this analysis of Miley Cyrus by Black people who know a lot more about this than I do.
I haven’t seen anything about Katy Perry using Black dancers. I’ve just seen criticisms of her appropriating AAVE and other PoC cultures. So I’m not sure why you brought her up, but maybe I just haven’t seen the videos in question.
Either way, it’s not like white artists having a diverse cast of back up dancers is a bad thing automatically. Here is an example of a white artist using back up dancers of other races without objectifying them: https://www.youtube.com/watch?v=8Ilh1ewceco (notice this artist tackles the same issue as Lily Allen—sexism/objectification in the media—without being misogynist and racist toward other women). But the examples of Lily Allen and Miley Cyrus ARE racist and Nicki Minaj’s video isn’t the same as theirs.